against reality
2019 ff.
Design for Kulturkollektiv Contrapunkt
Full
Experiment, knowledge–transfer and politics against reality condense to an essential modern experience:
The abolishment of the historical process in the revolutionary moment, in a singular instant of pure presence.
Temporary autonomous zone. Or: Transgression, autonomy, praxis, democracy.
The infinity in–between (as insertion, fold or parallelism) is encoded directly, individually, physically and psychologically.
Liquid self, holidays from the ego, education by variation.
2009 / 10
12 x Acryl und Gesso auf Leinwand, 100 × 100 cm
zur ausstellung big & full von Andrei Siclodi
Clubabende / Performance:
14.10.10: Boris Kopeinig underground dance loops
21.10.10: Christina Goestl all sexes welcome
Ve.Sch – Raum und Form in der Bildenden Kunst Wien 2010
Panorama: Rens Veltman
Fotografie: Martin Vesely
the bumm3 complex
2018 / 2019
grafics for ohne theorie keine revolution
a series of events for discourse, theory, sub- & pop-cultures held @ P.M.K Innsbruck
bumm bumm bumm
ikone (TechnicsMK1210)
2018
PARALLEL VIENNA
western union curated by Simeon Brugger and Maximilian Thoman
Foto: Elodie Grethen
Selector: Alois Bernsteiner
2009
performance setting
Poster selector: alois bernsteiner Offset, 84 × 60 cm
flash forward | flesh forward in situ Wandmalerei, 60 × 458 cm
flash back | cash back in situ Wandmalerei, 60 × 458 cm
kapitalsymbol 3D-Animation, Loop 60 sec
Clubabende / Performance:
05.11.09: Sara Glaxia 100% cotton
12.11.09: Nicolas Jasmin plays mai 68 worried, a sound improvisation for four turntables and thousand endless grooves
19.11.09: Theo Altenberg (lyrics & voice) & Maurizio Nardo (tunes & desaster) phat pfunkk
Ve.sch – Raum und Form in der bildenden Kunst Wien 2009
Fotografie: Martin Vesely
flesh flashes
2007
oT (low code)
12 x Acryl auf Leinwand
60 × 50 cm
sub pop | porn tech
in situ Wandmalerei
50 × 400 cm
Goethe2 Galerie Bozen flesh flashes 2007 (+ Peter Senoner)
Foto: Dario Lasagni
flesh flashes von Sabine Folie
Christoph Hinterhuber Peter Senoner
flesh flashes
mit einem Text von Sabine Folie
ed. Goethe2 Galerie Bozen
Verlag für moderne Kunst Nürnberg
Design: Christoph Hinterhuber
coming closer (zeichen)
nothing
worldwide
no
nomad
join@
wonderland
psychic war
sunrise
disco
real
23
nada
12 x Siebdruck auf Alucopan, 66 × 88 cm
Tiroler Landesmuseum Ferdinandeum Innsbruck 2009 CHRISTOPH HINTERHUBER (Ausstellungsansicht)
FRAC des Pays de la Noire Nantes 2003 coming closer
Ancienne Manufactures d’Armes St.Etienne le jaune de l ́oeuf 2003
Bernsteiner Dependance Wien 2003 coming closer3
Nouvelle Galerie Grenoble 2003 www.build-cells.org
Galerie E. & K. Thoman Innsbruck 2003 coming closer
Sammlung Falckenberg Hamburg 2002 das absurde bekannte
Text von Robert Fleck
Texte de Robert Fleck
coming closer
mit Texten von Thomas Feuerstein und Robert Fleck
ed. Galerie Elisabeth & Klaus Thoman Innsbruck
published by Galerie Elisabeth & Klaus Thoman Innsbruck
Design: Christoph Hinterhuber
coming closer
coming closer
2003
Galerie E.+K. Thoman Innsbruck
coming closer (zeichen)
2002
12 x Siebdruck auf Alucopan, 66 × 88 cm
coming closer (systems)
2002
5 x Siebdruck auf Alucopan, 200 × 66 cm
coming closer (playlist)
2003
Siebdruck auf Alucopan, 100 × 100 cm
DISCO (not before 5 a.m.)
DJ-Mix 80 min vinyl only
coming closer (ideologie)
2003
Digital Print, 260 × 760 cm
coming closer (re-evolution)
2003
Siebdruck auf Alucopan, 100 × 150 cm
Text: Thomas Feuerstein
coming closer
mit Texten von Thomas Feuerstein und Robert Fleck
ed. Galerie Elisabeth & Klaus Thoman Innsbruck
published by Galerie Elisabeth & Klaus Thoman Innsbruck
Design: Christoph Hinterhuber
plus ultra
2002
plus ultra
Digital Print 375 × 500 cm
Folder A4, Poster A1
www.build-cells.org
flash animation
online 2003 – 2018
Kunstraum Innsbruck plus ultra (cur. medien.kunst.tirol) 2002
Foto: Thomas Feuerstein
2005
plus ultra. jenseits der moderne? / beyond modernity?
st. bidner, t. feuerstein (hg./eds.)
revolver verlag frankfurt am main
coming closer
mit Texten von Thomas Feuerstein und Robert Fleck
ed. Galerie Elisabeth & Klaus Thoman Innsbruck
published by Galerie Elisabeth & Klaus Thoman Innsbruck
Design: Christoph Hinterhuber
KAPITALISMUS & FLUCHT @ TRANSART 01
ESCAPE | WORLDWIDE
2001
site specific
TRANSART 01 (cur. Traudi Messini) Messe Bozen | Fiera Bolzano 2001
PORNSTAR_BORN TO BE A STAR
The thesis of a porno society imputes that a liberal economic system that relies on the deregulation of the market and trades solidarity for subsidiarity, biasedly promotes individual and pecuniary advantages. Just as pornography depicts sexual operations by biasedly emphasizing the genital area and leaving out the psychical aspects of sexuality, the neoliberal porno society is in search of its egotistical genes. Only the pornstar is born to be a star and social-darwinistically fulfills the law of the survival of the fittest. He embodies the highest degree of attractiveness, the strongest narcissism, the most intimate self-desire and the short circuit between genotype and phenotype. He is pure sex and self-exploiting potency. The porno star is not interested in genetic or social altruism, in the distribution of information and capital, but rather in cloning and onanism. […] Since the constitution of electronic networks, at the latest, the international financial system can be described as a huge onanism machine supported by the pataphysics of the banks. Talk of the virtualization of culture is thus less applicable to new media than to old money, the ultimate medium of transformation, which has become the ontological assurance of our existence. […] We can only survive pornoontologically, if we style ourselves into a cult object. It is only in this way that we can sell our genes at any price and accrue interest for the ego capital of the me-machine. Personal fitness, the cult of the body and financial potency become synonyms for the economic progression of neoliberalism with simultaneous cultural and social inflation. […] The human body is synthesized with corporate identities, which in turn tattoo the body in the form of logos and brand names, which means that every reflection and narration is exhausted in the iterative ejaculation, the empty repetition of capital flows. It is not sexuality, pleasure, masturbation or copulation that are obscene, but rather the impotence of politics, entropic consumption, the metastasizing corporations and their marketing.
Thomas Feuerstein
the works are published in:
coming closer
mit Texten von Thomas Feuerstein
und Robert Fleck
ed. Galerie Elisabeth & Klaus Thoman Innsbruck
published by Galerie Elisabeth & Klaus Thoman Innsbruck
ISBN 3-902315-02-4
Design: Christoph Hinterhuber
christoph hinterhuber