RE-EVOLUTION
(…) The vernissage audience stands around as though at the bottom of the sea in the north atlantic in the white cube, where it-girls in light blue high heels and green-scaled latex serve hors d’oeuvres of salmon and seaweed. Everything seems to be of glass, and frequencies reminiscent of breaking ice cut through the room. Then an electric guitar strung with sailor’s yarn is heard and the smoky voice of a siren sings: “Cover the surface … Cover the surface. Revolutions take place on the surface and are part of our enjoyment. Only the surface grants us the illusion of understanding, creates identity as the mortar of society, and evokes the feeling of community. Realities are transformed into images on it, which infect our thoughts and guide our desire. It constructs the public sphere, structures society, programs individuals and creates a hegemony of the masochistic gaze, which disciplines us under the hypnosis of the capital to property, consumption, security and control. We are addicted to the scourge of the reactionaries and strive for homogenizing superficiality. Cover the surface …” In a loose group of posing people, rhinestones glitter over tanned decolletes and a spaced out hippie in a sleeveless net shirt, wearing too tight white linen pants, dark sunglasses and a ganesha tattoo on his left upper arm stretches in rhythm with the waves: “You are fantastic. You are indra’s net. You are a sparkling multitude of diamonds reflecting every facet of the individual and all his connections. You are a networked society, a virtual information space, rendered from the void that illuminates in neoplatonic raytracing.” A young globalization critic in reebok shoes, adidas jacket and with blonde rasta hair rising up like a double helix, curls her silicone-lips into a nike swoosh, from which an angelic voice murmurs: “Since we no longer live in spaces – all the talk about spaces of nature, free spaces or virtual spaces is a nostalgic lie – the surface is not a euphemism, where other layers are hidden below. Surface does not cover depth, but simply communicates links, which then refer to other regions of the surface. Surface resembles a map without land that abets all fictions. There is no transcendence and no escape either. Every flight only extends endlessness with no exit.” The DJ scales down the beats and a spheric carpet of sonic tones mingles among the crowd. Two bodybuilders in dark suits pull a red curtain from a wall-filling picture, in which can be read in fluorescent letters: “Since we are subject to a surface regime and live in superficies of image culture, abhorrence has become commonplace. For this reason, the surface is the scene where art is called upon to negotiate and take action, in order to train resistance. The principle of unconditional resistance is a right that art must simultaneously invent, reflect and rely on, so that a cultural counter-offensive can begin, which opposes sovereignty. This requires that art must enter into opposition against all the powers that limit the project of re-evolution: state power, the economic powers of the corporations and international capital, media, religious and ideological powers.” (…)
2003
Siebdruck auf Alucopan, 100 × 150 cm
Text: Thomas Feuerstein
goethe 2 gallery Bozen Bolzano www.nichts.org 2004
Nassauischer Kunstverein Wiesbaden ausser atem 2003
Galerie E. & K. Thoman Innsbruck 2003 coming closer (Ausstellungsansicht)
coming closer
mit Texten von Thomas Feuerstein und Robert Fleck
ed. Galerie Elisabeth & Klaus Thoman Innsbruck
published by Galerie Elisabeth & Klaus Thoman Innsbruck
Design: Christoph Hinterhuber
PARADIES PRODUKTION
CHRISTOPH HINTERHUBER vs. DJ EVERYBODY
hexagon cult
videodrones
DE-DECODE DE-RECODE RE-DECODE RE-RECODE
the entire fresh and reconstructed dancefloor
strenge kammer I - XXIII
event horizon (vertikal)
drag*star
hier ist nicht hier
starving buddha
alpiner algorithmus
hyper suprematism
oT (Pfeil)
aus gegebenem anlass, aber nicht nur (PEACE)
oT (5243 Schindeln)
dancing squares
pink guy save us
against reality
mono hole
mono hole monomonoholehole mixes
CHRISHOTPHINTERHUBRE
self similar
CHRISTOPHHINTERHUBER
matrix fragment
EXIL
post kunst para uni
nothing zone
Big
Full
Futurist
Futurist (paintings)
Hedonist
Raum
cock bloc
das obszöne werk
Ikone (Technics MK1210)
the bumm3 complex
PARTY
DOWNLOAD
Selector: Alois Bernsteiner
kapitalsymbol
2009 TLMF Show
oT (mobile)
1 0 1 CYBERGNOSIS
ohne theorie keine revolution
The reconstructed re-edited & refreshed 90s 3D Loops
stromkunst
pinkpink
oT (low code)
flesh flashes
love rules
www.nichts.org/666sex
coming closer (re-evolution)
coming closer (zeichen)
coming closer (systems)
coming closer (ideologie)
coming closer (playlist)
www.build-cells.org
www.build-cells.org/show
coming closer3
coming closer2
coming closer
coming closer 2002 666 - the year of reverse
plus ultra
DIAL 0800 D.I.S.A.P.P.E.A.R. | WONDERLAND
INNERSPHERE
INNERSPHERE @ 8th International Cairo Biennale 2001
KAPITALISMUS & FLUCHT @ Galerie Museum ARGE Kunst
KAPITALISMUS & FLUCHT @ TRANSART 01
WORLDWIDE
WONDERLAND SUNRISE
4D
very early performance work
christoph hinterhuber